[vc_row row_height_percent=”50″ override_padding=”yes” h_padding=”2″ top_padding=”5″ bottom_padding=”2″ overlay_alpha=”50″ gutter_size=”4″ column_width_percent=”100″ shift_y=”0″ z_index=”0″ el_class=”inverted-device-order”][vc_column column_width_use_pixel=”yes” position_vertical=”middle” gutter_size=”3″ overlay_alpha=”50″ shift_x=”0″ shift_y=”0″ shift_y_down=”0″ z_index=”0″ medium_width=”0″ mobile_width=”0″ width=”1\/2″ column_width_pixel=”900″][vc_custom_heading heading_semantic=”h3″ text_size=”h1″ subheading=”Jul 2023 – Aug 2023
\nBerlin, Germany \u00b7 On-site
\nPublishing Practices 3
\nWeaving the Inner Bark
\nArchive Berlin
\nReinickendorfer Str. 17
\n13347 Berlin<\/p>\n
Weaving the Inner Bark Festival is an invitation to unpack, share, and inquire more broadly on how library projects can reflect on experiences of resistance, create ground for transnational solidarity, and participate in the unwriting and unfixing of hegemonic knowledge systems. Weaving the Inner Bark inhabits the physical space of the exhibition In the Inner Bark of Trees and activates it. The exhibition, imagined as an ensemble of potential libraries, is made of many voices and mediums. Each object in the exhibition calls for a haptical and multisensorial reading breaking away from the hegemonic fixity of the printed matter.
\nWeaving the Inner Bark embarks on forms of archiving and editing that defy canonical and standardised notions of publishing and prompts ancestral techniques such as oral storytelling, embodied literacies, and texturalities, a compound term for textiles interwoven into\/as texts. These modes of knowledge inscription and transmission trouble the dominance of the book and inform the idea that libraries can become spaces of affective reading and experimental laboratories for practising hapticality. The Greek root of \u201chaptic\u201d is \u201chaptein,\u201d meaning to touch or grasp an object. Weaving the Inner Bark thus explores haptic experiences and experimentation, connecting somatic knowledge to contemporary bodies, spaces, worlds, and imaginations.
\nCuratorial ensemble Leila Bencharnia, Chiara Figone, Miriam Gatt, Samira Ghoualmia, Paz Guevara, Beya Othmani, Savanna Morgan
\nCurator in residency Salma Kossemtini
\nGraphic design Archive Appendix
\nProduction Miriam Gatt
\nProduction assistance Malab Alneel, Iman Salem
\nTech Rey Domurat, Benjamin Nash
\nPublishing Practices 3. Weaving the Inner Bark festival is supported by Spartenoffene F\u00f6rderung f\u00fcr Festivals und Reihen.”]Curator in residence<\/p>\n
at Archive Books as part of Publishing practices #2[\/vc_custom_heading][\/vc_column][vc_column width=”1\/2″][vc_single_image media=”84194″ media_width_percent=”100″ media_ratio=”four-three”][\/vc_column][\/vc_row][vc_row row_height_percent=”50″ override_padding=”yes” h_padding=”2″ top_padding=”2″ bottom_padding=”5″ overlay_alpha=”50″ gutter_size=”4″ column_width_percent=”100″ shift_y=”0″ z_index=”0″][vc_column width=”1\/2″][vc_single_image media=”84193″ media_width_percent=”100″ media_ratio=”four-three”][\/vc_column][vc_column column_width_use_pixel=”yes” position_vertical=”middle” gutter_size=”3″ overlay_alpha=”50″ shift_x=”0″ shift_y=”0″ shift_y_down=”0″ z_index=”0″ medium_width=”0″ mobile_width=”0″ width=”1\/2″ column_width_pixel=”900″][vc_custom_heading heading_semantic=”h3″ text_size=”h1″ subheading=”Orbitals is a program that takes four curators and arts researchers to an international location in the Global South to learn about a different artistic context than the ones they are familiar with and share their knowledge with their communities.
\nThis year\u2019s edition taking place between December 4 to 13, will be an introduction to the art scene in Dakar, Senegal”]Orbitals – Mophradat[\/vc_custom_heading][\/vc_column][\/vc_row]<\/p>\n","protected":false},"excerpt":{"rendered":"
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